In Bed with Neue Haas Grotesk

This morning I was awake a little after 6 a.m. (It didn’t help that I slept until 5 p.m. the day before and then went back to bed around midnight.)

But I didn’t want to get outta bed. The rest of the house wasn’t awake (Amy and the girls were out at Girl Scout Camp). So I would be bored with no activity going on in the house.

So, I decided to watch a movie in bed, but I wasn’t sure what. I had fallen asleep to Jeff Dunham’s “Arguing with Myself” movie, so I fired that up and fin­ished what I missed. But, that only killed about 20 min­utes. So I decided to watch a Doc­u­men­tary that I hadn’t gotten around to watch: “Helvetica”.

Yes, you heard me…Helvetica. A doc­u­men­tary about a Typo­graphic legend.

I was very glad I watched it.

I was so glad, that I even posted on Face­book, com­ments about it:

You know your a Design geek when your actu­ally watching a doc­u­men­tary about a font at 7am.

Being a “fontie”, I guess I’m not sur­prised that I am just engrossed in this movie called “Helvetica”

Ha! They pegged me! One guy just said: “my girl­friend remem­bers a place by what it’s near, I remember a place by the font it used or how it has bad letter spacing” (I do that to Amy all the time: “ewww their using comic sans”)

Ha! The designer who made one of the font I use for my free­lance busi­ness was in the movie…I like him! I picked a good type­face!! (Note: it was the designer of the font ITC Officina, one of my favorites)

Who knew there were such argu­ments for and against Helvetica…

When I first became a designer, I didn’t care for Hel­vetica. At that time (around the late 90’s), I was used to Apple having the default system font “Hel­vetica” and Microsoft having its badly done knock-off “Arial”. (You see their dif­fer­ences here)

As I grew as a designer a little, I learned that many designers over the years have used Hel­vetica for so many things that it was per­va­sive in our society. So why would I want to use it in my own cre­ative flair? It also wasn’t “my” type of font. Most sans serif fonts weren’t my cup of tea.

(Even now, I see both sides of the argu­ment for and against Hel­vetica. Its been used so much that society is so used to it, but it is such a per­fectly designed font, that its hard to create some­thing better.)

But it wasn’t until I worked at Alpha­Graphics with my distant-brother-in-law Aaron (a great designer) and later my best-friend Kellie (another great designer, writer, illus­trator and pho­tog­ra­pher!) that I really started to appre­ciate the sim­plicity and read­ability of Hel­vetica and other Sans Serif fonts.

You see, we had so much work coming through that print shop, from so many dif­ferent “cough” designers, (a.k.a., sec­re­taries) that I was exposed to so many “bad” dime-a-dozen fonts out there. When a design piece that came in that was designed by a “real” designer, or a client let Aaron or Kellie “go to town” for a print job, that was when I got to expe­ri­ence real Typog­raphy. And it was beautiful.

I trea­sure the time I was able to spend with Aaron and Kellie learning the craft. I like to think of it as my own appren­tice­ship. That time cemented my deci­sion to become a designer.

Years later here I am in school doing just that. Cementing myself with a full on degree saying I know what I already know.

But watching this movie not only made me realize what a great font hel­vetica is, but I real­ized some­thing else…I still have a lot to learn.

I see these other designers, and their talk of mod­ernism and futurism, and even thought I just studied those last year. I couldn’t tell you a damn thing about them and can recall only smidges of how they affected the art world.

I look at some of these designers (and other designers/photographers I know; like Aaron, Kellie, Jim, Saundra, Brett and so many others) and I think to myself, “Will I ever be that good?” “Where do I start to gain skills like that?” “How would I ever come up with such a fan­tastic design like that!?”

For the ease of online classes (I wouldn’t be able to really go to col­lege without doing them 100% online), I start to wonder if I am really ben­e­fiting from them. Classes are only 5.5 weeks long, instead of an entire semester. Am I really learning what I need to know in that short time?

I’m thankful that I decided to not sell back my school books, so that I can go back and re-read what I missed, but is that enough? Should I be doing more, and if so, where do I start? I can think of Net­working with more designers, reading more, exposing myself to more cul­ture (I don’t get nearly as much as I should)…but what else?

I look back and I look for­ward and I still have a lot to learn, and a long, long way to go. But I am ready to learn, and I look for­ward to it.

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One Response to “In Bed with Neue Haas Grotesk”

  1. Aaron

    Bert… every­thing I learned in col­lege pre­pared me to only relearn it cor­rectly in the real world. School offered expo­sure to what was to come, but only small bits and pieces of what I took from school made me who I am today. Absorb every­thing while you are there, but dont be afraid to ques­tion ‘authority’. You will look back in 10 years and you will say “Holy Shit! that noob instructor was on crack. Why did she tell me to save my pho­to­shop files as pict?” You too will realize, the real learning is done in the real world.

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